Woman Ordnance Worker (WOW)

The Springfield Armory: Forge of Innovation
www.forgeofinnovation.org

The Armory was better prepared for war production in 1941 than it had been in 1917. At the time of the Japanese attack on Pearl Harbor, the production quota of M1s was 1,100 per day; by July 1943 it nearly doubled to 2,100 per day. At the same time the workforce increased from 7,500 to 12-13,000. As in World War I, women were hired to help overcome the labor shortage induced by the draft; they constituted 20% of the workers by June 1942 and 43% by June 1943. Despite this measure, the workforce declined in number to 11,300-11,800 in the second half of 1943, to 10,900 by June 1944, and to 9,400 by the end of 1944.

While some leaders only urged women to continue such traditional roles as knitting, buying bonds, stretching rationed foodstuffs and keeping up the nation's morale, others on the home front challenged women to join the ever-growing ranks of America's "production soldiers." In September 1942, Secretary of War Henry L. Stimson made public his plan to double the number of women hired in war jobs. Newspaper accounts of that time reported that since 1 June 1942 the number of skilled women workers in the War Department had risen from 3 percent to 10 percent. Almost 35 percent of the department's unskilled workers were women.

Uncertainty about the willingness and ability of American housewives to assume a larger defense role was expressed nationally as well as locally. One labor analyst warned that, "The employment of millions of untrained workers, including old men, youths, and housewives,...[would] inevitably result in a material and gradual dilution of labor skills, which...[meant] a decline in manpower output." The previously successful employment of women defense workers, according to this same analyst, was "...attributable to the fact that the more experienced and best adapted have naturally been the first employed. As...[the nation drew] more and more upon inexperienced and untrained homemakers, the average efficiency of women...[would] decline."

During World War II some three million women worked in war plants across the United States. Working women were vital to the war effort, as the loss of men to military service left a workforce shortage in many areas. The U.S. Government undertook a major public relations campaign to encourage women to work. The use of an invented character, Rosie the Riveter, on a brightly colored poster was a powerful propaganda piece.

Woman Operating
Chambering Machine

Most of the women employed by the Army had to adjust not only to working outside the home but had to accustom themselves to working under conditions that would have tried the stamina and patience of experienced male industrial workers. In addition, many of the women workers at both arsenals contributed what little spare time they had to supporting a variety of home front activities such as Red Cross work, war bond drives, and packaging special seasonal boxes for distribution to soldiers overseas.

The pressures of work, the strain of trying to keep up with family obligations, the stress of worrying about loved ones fighting in the war or being held prisoner behind enemy lines, the lack of adequate rest and nutrition, even ill health all contributed to higher levels of absenteeism among women workers. To keep up the morale of all their workers, Army officials sponsored special after-hours social events such as dances. Another was the September 29th, 1943, big band concert by Benny Goodman and his Spotlight Band given to the employees on the grounds near the Main Arsenal (housing the present-day Museum of Springfield Armory National Historic Site). Special awards ceremonies were held so that employees could be a part of the recognition given to the production successes enjoyed by all workers.

WOWs to the Rescue!

Throughout Springfield Armory's history, women played an important role. Women worked in many different departments, including machine operators, inspectors, and assemblers. In World War I, 15% of the workers were women. At the height of World War II, over 5,000 Women Ordnance Workers (WOW) comprised 42% of the Armory's workforce.

The WOW concept was created to foster patriotic spirit and identification with the war effort by women working in the U.S. Army's war production sites. WOWs wore a red bandana with distinctive markings of a flaming bomb ... not only for safety reasons but from a sense of pride, accomplishment and achievement in their contributions to the war effort. When those bandanas were paired with blue all-purpose coveralls, those WOWs were nothing if not patriotic!

Inspiration for Iconic Rosie the Riveter Image Dies

DECEMBER 30, 2010 / By History.com Staff

At 17, a young factory worker named Geraldine Doyle unwittingly inspired J. Howard Miller’s iconic “We Can Do It!” poster, an image that later became a powerful symbol of American women’s contributions during World War II and of female empowerment. More than four decades would go by before she learned that she had become the face of Rosie the Riveter. Doyle died on December 26 in Lansing, Michigan, at the age of 86.

In 1942, a United Press International photographer visited a metal pressing factory outside Detroit and took a snapshot of a slim, fresh-faced brunette leaning over a machine. The picture enchanted the graphic artist J. Howard Miller, who had been hired by the Westinghouse Company to design a series of motivational posters aimed at boosting female factory workers’ morale. He incorporated its pretty young subject’s face and polka-dot headscarf into one of the posters, which features a determined-looking woman flexing her right bicep under the slogan “We Can Do It!” Decades later, the poster became one of America’s most recognizable emblems of women’s empowerment, spawning countless imitations and reproduced on everything from mugs and magnets to postage stamps.

Geraldine Hoff Doyle, the real-life inspiration behind the iconic poster, died on December 26 in Lansing, Michigan, at the age of 86. Just 17 when the photographer captured her, she had taken a factory job after graduating high school, one of 6 million women who entered the workforce during World War II to plug gaping holes in the industrial labor force. An aspiring cellist, Doyle left after just two weeks of employment when she learned that the machinery had badly injured another worker’s hands. She found a position at a soda fountain and bookstore, where she met her future husband, Leo, in 1943. The couple had six children and ran a successful dental practice.

More than four decades would go by before Doyle learned of the poster’s existence and discovered that her likeness had inspired a pop culture reference. Paging through a magazine one day in 1984, she spotted a photograph of the poster and recognized her younger self. In a 2002 interview with the Lansing State Journal, Doyle, who began making frequent appearances in Michigan to sign posters, explained that motherhood and daily life had kept her too busy to realize she had become the face of Rosie the Riveter. “I was changing diapers all the time,” she said.

Unlike another famous depiction, painted by Norman Rockwell and featured on a Saturday Evening Post cover in 1943, the “We Can Do It!” poster was not originally intended as a portrayal of Rosie the Riveter, who was first immortalized in a 1942 hit song and starred in numerous government-sponsored recruitment campaigns. One of many in Miller’s series, the poster was barely seen outside Westinghouse factories in the Midwest, where women were making plastic helmet liners. It was not until later, when feminists rediscovered the poster during the 1970s and 1980s, that it achieved its iconic status and became associated with the World War II-era character.

ROSIE THE RIVETER SONG

Women's Land Army (WLA)

The Women's Land Army
found at www.britannica.com

The Women’s Land Army (WLA) was a U.S. federally established organization that from 1943 to 1947 recruited and trained women to work on farms left untended owing to the labor drain that arose during World War II.

By the summer of 1942, American farmers faced a severe labor shortage—since 1940 some six million farm laborers had left the fields for higher-paying wartime factory jobs or for service in the armed forces. Radio stations and newspapers made urgent pleas for volunteers to help with the harvest. 

Women with little or no agricultural experience answered the call and, on an informal basis, saved countless crops from rotting in the fields. It soon became clear, however, that the situation required a more organized approach if the nation was to mobilize a reliable force of farm workers. By 1943 the U.S. Congress had allocated funds for the Emergency Farm Labor Service, which included the recruitment, training and placement of a female corps of farm laborers to be known as the Women’s Land Army, a subdivision of the United States Crop Corps. Recruits were not expected to have farming experience, but the WLA specified that applicants be physically fit and possess manual dexterity, patience, curiosity and patriotism.

The WLA recruited more than a million female workers, drawn from the ranks of high school and college students, beauticians, accountants, bank tellers, teachers, musicians and many other occupations. The women worked long hours driving tractors, tending crops, and even shearing sheep. Most laborers received an unskilled worker’s wage—25 to 40 cents per hour—out of which they were to pay for their denim overall uniforms and their meals and lodging in temporary camps, summer cabins and private homes. 

Most workers did not join the WLA to make money but wanted to contribute to the war effort. By the end of 1944, the WLA had more than proved itself as an indispensable brigade of hard workers, and farmers were eager to enlist their services in the upcoming season. Women continued to volunteer their services in the immediate postwar period.